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A still from the movie Once Upon a Time in the Middle East starring Shen Teng  Photo: IC
    A still from the movie Once Upon a Time in the Middle East starring Shen Teng Photo: ICYears after tackling social issues in the breakout hit film Dying to Survive, Chinese director Wen Muye returns with Once Upon a Time in the Middle East. The film opened nationwide in China on Tuesday, and, including advanced screenings, crossed 200 million yuan ($29.6 million) at the box office on its first day. 
It centers on an ordinary Chinese chef caught in the crossfire of war. Shen Teng stars as Xu Fu, a cook who travels to the fictional Middle Eastern capital of Bahata to repay family debts. There he joins forces with restaurant manager Ma Junsheng (actor Jiang Qiming) to run a Chinese eatery. When conflict erupts, the self-preserving every-man endures personal losses and gradually comes to protect local children. 
Produced by Ning Hao, the film continues Wen's signature focus on "little people," this time placing them far beyond China's borders.
In an interview with the Global Times, Wen talked about the project's connection to news reports of Chinese migrants who open restaurants overseas and forge quiet connections through food.
"Many Chinese people go abroad simply to make a living," he told the Global Times. "They open restaurants, use food to break down regional barriers, and form deep bonds with locals." 
The production team conducted extensive research and location scouting in the Middle East to capture everyday details. Elements such as free-running single-humped camels required overseas shoots; the resulting images of open space after confinement, Wen noted, carry a simple sense of hope.
Food functions as the film's central motif. 
"Food more often stands for happiness and peace," Wen explained. "Even in a war-torn environment, people still cannot do without three meals a day. That sounds basic, but after all the big things in life, what people care about most are the simplest things - eating a proper meal and taking care of family." 
A specialized food unit developed the dishes, and Shen trained extensively so that most of the wok-tossing sequences were performed by the actor himself, Wen said.
The film deliberately intercuts kitchen routines with combat sequences. 
"Three meals a day represent our longing for peaceful life, while war is the extreme act that destroys peaceful life on a large scale," Wen said. "When they collide, each becomes clearer: Food feels more ordered and full of happiness; war feels more chaotic and dark." 
He hopes the juxtaposition helps audiences recognize how hard-won ordinary peace really is.
Xu Fu's decision to shelter orphans never relies on lofty rhetoric, only a meal and a roof. Wen described this approach as rooted in a human-centered outlook rather than classic Western hero narratives. 
"We place more weight on humanism and the value of a person's existence. Our culture is about living well, studying well, eating well, and looking after children. No matter how large the events, three meals a day remain unavoidable. Food itself has warmth and can give people real strength when they are in a difficult situation," Wen said. 
The director noted that he wants viewers to leave with the plainest conviction: live properly, eat properly, and cherish the peace that exists in the present.
On balancing personal expression with commercial reach, Wen kept his principle simple: "Make the film well and tell the story well. I try to put what I want to express into foreshadowing and details without hurting the viewing experience. If audiences notice those details, I will be glad. If they do not, it does not affect the normal narrative."
From Dying to Survive and Miracle: Stupid Kid to the new film, Wen's view of human complexity has remained consistent. "People have many different sides. They face different circumstances and make different choices." 
The through-line, he added, is the same plain belief: "Being able to enjoy a proper meal is the greatest happiness."
Early audience response has been overwhelmingly positive. Advanced screenings delivered scores of 9.7-9.8 on major Chinese platforms including ticketing platform Maoyan. 
Many entered expecting a light Shen Teng comedy and left in tears, describing the experience as "laughing then crying." Shen's restrained performance has drawn particular praise, with some calling it the strongest of his career. Jiang's supporting work has also been widely noted.
Moviegoers have frequently highlighted the film's refusal to deliver speeches. Its focus on daily meals and small acts of care lands more powerfully than any slogan. 
On the depiction of the conflict, audiences observe that the movie offers a perspective that "flips the Hollywood script" by casting the US as the invader, while refusing to portray US soldiers as pure villains. Instead they appear as ordinary young men: loose in discipline and marked by the alienation of war.
Both Chinese and overseas viewers have singled out this measured approach as part of the film's distinctive Chinese viewpoint: It sidesteps both Western hero narratives and simple demonization. Some international comments note that by staying with ordinary lives rather than choosing geopolitical sides, the story offers a different lens on conflict.
One widely circulated comment from a popular Chinese self-media account on WeChat captured the film's ambition: "You can think of this film as a blend of Casablanca, Schindler's List, and The Shawshank Redemption, yet at its core lies the same grounded human compassion found in Dying to Survive. This is a highly successful attempt by Chinese filmmakers to surpass Hollywood. It is the first Chinese film that truly possesses a global vision and a professional sense of international storytelling. It is also a gift of warmth and goodwill from the Chinese people to a world still torn by war and cruelty."
。    我们选择的固态硬盘是三星 980 1TB 版本,通常来讲这个选择并没有什么问题。但是正当我们下载好游戏准备开测的时候,硬盘却崩了。没想到一顿折腾之后,最后竟然是负责存储和读写的固态硬盘把我们坑了,一天白干不说,大半夜的还得在摄影棚把将近 1TB 的游戏和软件重新下回来。知道这件事的其实还是挺震惊的,因为三星的固态硬盘在很多人眼里都是最佳选择,读写速度特别快,价格通常也比其他品牌要贵一些。但是在网上看了一圈,发现三星的固态硬盘出现问题并非个例,确实有不少人中招,而且从前几个月就开始了,这其中还包括 UP 主纯黑和闻香等人。

二 | 大家遇到的问题,通常包括但不限于读取速度不稳定,以及这种数据损坏等情况。正当有点一筹莫展的时候,果然还是见多识广的酷安老哥指了一条路,并提供了相关的排查方法。首先可以确定的是不仅 980 型号的固态硬盘,三星其他各种型号和批次的固态硬盘也都有可能出现问题。其中包括但不限于 980、980 Pro、970 EVO 和 970 EVO Plus 等型号,而这其中又能细分到各种批次的产品上。比如序列号开头为 S6 的 980 固态硬盘,中招的数量就会多一些。具体的型号和批次,大家可以去查看 Chiphell 社区的一篇汇总帖,会把链接放在文章末尾。

三 | 如果你恰好用的是三星的固态硬盘,其实也不用过于担心,一是它的中招程度还没到大批次故障的级别,二是你可以先自检一下固态硬盘有没有问题,然后再做下一步决定。自检的方法很简单,首先下载并安装一个 CrystalDiskInfo,这个软件可以扫描并查看硬盘信息。其中判断三星固态硬盘是否出问题的重要信息,就是查看 0E 这一行。0E 这行叫做媒体与数据完整性错误计数,通常这个参数是一定为 0 的,如果不是 0,那就说明你的硬盘出事儿了。由于 0E 和灵异谐音,三星固态硬盘这波充满未知和玄学的故障事件也被称为 “ 灵异事件 ” 。不过谐音梗,我喜欢。除此之外还可以看一下 03 可用备用空间,通常情况下这里的数字应该是 64,如果不是的话那就说明硬盘已经有坏块了。还真就有人的硬盘同时中了这两招,可以说是有点倒霉了。当然对于硬盘这种很玄学的数码产品,不同型号的诊断方式也有所不同,而且公司这块盘的 0E 和 03 都没问题,但还是中招了。如果你还是不放心的话,也可以用一些检测软件来看看硬盘有没有坏道,比如比较常见的 DiskGenius 等等。

四 | 要是发现自己的硬盘中招或者怀疑有问题,可以按照自己的经验给大家简单出几招。首先是把数据转移到其他的硬盘上,但这部分就看运气了,如果发现数据已经损坏,那么不好意思,你的数据可能要和你说再见了,能救多少是多少吧。其次如果还在质保期的话,可以找到你买硬盘的店铺或者销售,看看能否走个售后。还有一件事,这个在之前固态硬盘分区的文章上面也提到过了,那就是重要的数据一定要备份!甭管你是用另外一块硬盘、网盘还是 NAS 上面,多一份备份就多一份保障,一定要养成备份的好习惯。不过像这种肥宅倒不用担心什么,因为都是一些游戏,可以重新下回来。

五 | 但无论如何,硬盘出问题都是一个非常闹心的事情,而且特别影响工作。

六 | 比如我们的 4090 显卡测试工作,就因为硬盘崩了导致一整天白忙活,最离谱的是我们这块 980 还是新买的。有一说一,隔壁的米罗买的阿斯加特固态硬盘用了好几年都没事儿,三星这波属实是不应该。最后,三星应该会推出新的固件来修复这些问题,但听到固件这两个字更害怕了。因为我们就是更新了固件之后才崩的。怎么说呢,只能等三星再推一个更新的固件了。

七 | 如果你最近想买固态硬盘的话,要是没啥要求,建议你可以看看别家的产品,比如西部数据和铠侠等等都是不错的选择,而且现在固态硬盘价格也比较低。但你要是问我们之后会不会换个牌子用,那三星的固态硬盘该用还是要用的,谁让它速度快呢。参考链接:https://www.chiphell.com/forum.php?mod=viewthread&;tid=2443478。

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Published on:03:44:04



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